15 Historical Firsts in Practical Effects
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Because of the technological aspect, we tend to think of visual effects as modern, “new age” filmmaking tools. But what if we told you that the original explosion in special effects occurred from 1895 to 1925?! Crazy! Okay, maybe the film historians and effects wizards out there will pat our little heads like, “Aww, you finally caught up,” but we’ll admit it… We were genuinely shocked at the visual trickery that these movies pulled off over a century ago!
Before visual effects companies like Industrial Light & Magic brought us computer generated effects in the 70s and 80s, movies solely relied on practical effects. These effects are physically made without computers or other post-production techniques. What you see on the screen was actually shot with a camera, but had some help from mirrors, stop motion, miniatures, and matte paintings. And when you see how much time and effort they take to make, you’ll realize how computers clearly needed to be the next evolutionary step. But hey, we hear enough about computers. Let’s give the O.Gs their flowers. Here are 15 “firsts” in practical effects.
Off with her head! Not for real, though.

Edison Manufacturing Company
Georges Méliès was an illusionist way ahead of his time.

Star Film Company
Miniatures helped filmmakers shoot much larger settings (and play with toys).

Color film is a lot older than you think.

Hollywood: Making gun blasts look cooler since 1903.

Edison Manufacturing Company
Brief History of Special Effects in Film (via University of North Carolina Wilmington)
An English filmmaker terrifies the world.

Hollywood’s First Effects Man

United Artists
Frank Willams and the traveling mattes! (Sounds like a great Circus show).

Gotta give props to the props.

Keystone Film Company
Brief History of Special Effects in Film (via University of North Carolina Wilmington)
Willis O’Brien: The Great Grandfather of stop-motion animation.

First National Pictures
The First Special Effect Screen Credit

Fox Film Corporation
The world’s first special effect driven blockbuster.

Public Domain
If you’ve seen two actors talking in a car, you’ve seen rear projection.

RKO Radio Pictures
The Rains Came

20th Century Studios
The link between stop-motion and CGI.

Columbia Pictures