How a Movie from the '90s Predicted the 2012 Election

Before the first vote was cast in the 2012 presidential election, everyone was already sick of talking about the 2012 presidential election. It's almost statistically impossible that you're not sick of it at this point, when there are so many other stories to dominate the news. (Kate Middleton is having Chris Brown's neck tattoo! I think. I really only know things about movies and presidents.)

But I wanted to write this piece now, because it involves looking back on the election, and it's way more effective to understand something after it happens, not while it's happening. My goal is to put the 2012 election into context, but not historical context -- movie context. If you're anything like me, you don't understand anything unless it's pushed through the lens of pop culture (I see all of my friends as analogues of characters from either The Breakfast Club or Jurassic Park, and when I go to restaurants, I order food by saying things like "Bring me a macaroni and cheese that looks as good as the one that Kevin made but frustratingly never ate in Home Alone"). So, I'm going to tell you the story of this election via movies.

It will be weird.

Act I: Mitt Romney is the Nominee in a Wacky Fish-Out-of-Water Comedy!

See: Coming to America, The Terminal

The media's version of Romney when he first received the nomination was your classic foreign fish-out-of-water story. In movies like Coming to America, or in the Saturday Night Live "Wild and Crazy Guy" sketches, the fun comes from the fact that you've got this outsider with all of his weird and wacky customs trying to fit in in America. He talks different. His clothes are different. He doesn't understand basic human social cues. Comedy! The fun comes from watching him struggle to adjust as he misunderstands and misuses common local customs that are utterly foreign to him.

In the case of the 2012 election, Romney wasn't a foreign fish out of water; he was a robot fish.

Or alien fish.

Either way, you've got a guy so clearly out of touch with the mainstream that he barely knows how to dress like us.

We loved his constant inability to connect to or bond with other people. We loved pouncing on his interviews and speeches, because he spoke with the kind of practiced, formal intensity of an alien trying desperately to fit in with our hu-man language -- like in November of 2011, when he strapped on the ole' mom jeans and attended one of those fake events designed to look like a casual town hall meeting with real Americans. The whole goal of these things is to affect an informal, "Hey I'm a cool substitute teacher; let me rap atcha" vibe, but it was full of Romney saying things like "Your story about dust regulation captures my interest," which, yes, is a direct quote, in an event designed to make Romney seem accessible and human. Just Google "Mitt Romney robot" and waste the rest of your afternoon questioning whether or not he actually is one. The evidence is ... fairly compelling

And that was the story for a while, in the media and among pundits and comedians. Let's watch while Mitt Romney adorably struggles to adjust to our hu-man lifestyle. But that wasn't the whole story. That was just the first act.

Act II: Mitt Romney Builds Steam in the Inspiring Underdog Sports Movie

See: Rocky, Rocky II, Rudy

There's not a whole lot of mileage to be had out of a fish-out-of-water story, and the election cycle is long, so about half way through, the media needed to change things up. They spent all of Act I beating Romney down and making fun of how silly and ridiculous and robotic he was just so they could dramatize his spectacular rise to glory in Act II, the Inspiring Sports Movie. President Obama was the seemingly unstoppable powerhouse of politics, and Romney was your scrappy, up-and-coming underdog, which is the only time that's ever been true of a middle-aged white guy who owns somewhere between three and a dozen homes.

That was the story when Romney and Obama debated for the first time, and everyone in the media was talking about how Romney surprised everyone and demolished Obama.

This was the who-saw-it-coming come-from-behind victory-in-the-making that serves as the DNA for all of the best underdog sports movies. Win or lose, Romney was going to lift himself up from obscurity, overcome impossible odds and end the day as a hero. Like Rudy. Like Rocky. Like the Little Giants.

In the end, of course, it couldn't be any of those movies, because those movies didn't reflect what actually happened.

What actually happened was that Obama was always going to win this race. For starters, 51 percent of Americans liked Obama personally and his policies, and 30 percent liked him even if they didn't like his policies. Also, it's really hard to unseat an incumbent; of the 43 presidents (or 44 presidencies) we've had, the incumbent lost only 10 times. To bring things even closer to home, our own David Wong, who monitors election polls closer than anyone I've ever met, pointed out that even after a $3 billion campaign was waged, and even after Romney's "horrible 47 percent gaffe," and even after Obama's "lackluster debate performance," in two years, the polls almost never changed. Obama was the favorite to win this back in 2010, and after two years, the polls moved more in his favor by only a point and a half. Obama had this. Always.

Immediately, people are going to disagree with that concept (which is silly, because Obama did win). While there was always a chance that the president would commit some colossal blunder or mismanage a disaster or punt a baby or do anything else that might cost him the election, going strictly by polling numbers (and by listening to the guys who analyze polling data and draw conclusions professionally, who are very good at it), the president had this one in the bag. That's why a year ago the GOP was trotting out Herman Cain and Rick Perry and that other clown car of lunatics as possible candidates instead of any of the actual serious contenders. Guys like Governor Chris Christie or Jeb Bush weren't going to even pretend to run in 2012; losing to Obama meant not getting a shot to run in 2016, when they actually might have a chance of winning (depending on who the Democrats run, or if the world ends in some apocalyptic firestorm of socialized marriage and mandatory gayness by then).

That's how a guy like Mitt Romney, an inaccessible, uncharismatic, inconsistent smile-robot, gets taken seriously as a candidate. But that's a boring story, and a boring presidential election story is absolutely poisonous to political blogs and 24-hour news channels. In the way that retail stores rely on Christmas shopping to make the majority of their profits for the year, political blogs and analysts and news networks put a ton of eggs in the election basket. They need people to pay attention to them during election season, but an election that's in the bag -- an election with no inherent story -- isn't worth talking about or watching. So what do you do? You invent the story. You create a narrative. You tell the American people that a done deal is a nail-biting horse race, and you pray that they believe you. You lie.

That's why the media invented and started pushing the Rudy or Rocky narrative, the story about the goofy underdog who surprised everyone by defying the odds and becoming a real contender. Even though Rocky lost in Rocky, that still doesn't make it the perfect analogue for this election, because at least Rocky had a shot, and Romney never did. It's a great boxing movie, but it's not this election.

Act III: So Which Boxing Movie WAS It?

The actual narrative at play was little-seen '90s boxing/entertainment satire The Great White Hype.

See: The Great White Hype

The Great White Hype is about a boxer, James Roper (Damon Wayans), who, as standing champion, is so good that no opponent wants to face him, and no networks want to carry his fights because they're over so quickly that they're boring. No one makes money on a fight that's over in 25 seconds. Reverend Sultan (Samuel L. Jackson) is a flamboyant promoter, basically the Don King of this boxing universe. He, like the media in this past election cycle, knows that he doesn't need to find an opponent who can beat the champ; he just needs to sell the public on the idea that he has.

He needs to tell a story.

So Reverend Sultan plucks from obscurity amateur boxer Terry Conklin (Peter Berg at his best), and the hype parade begins. He releases a number of promos of Conklin (the only boxer to ever knock out Roper in the amateur division) looking tough and strong and intimidating. Roper, by comparison (insulted that he has to waste his time fighting an obscure idiot of a boxer), looks bored and lethargic. He doesn't take his training seriously. He doesn't cut any exciting promos. He doesn't even seem like he wants to fight. Just for good measure, Reverend Sultan plays up the race angle (Roper is black, Conklin is white), and it sweeps the whole nation up into a frenzy. Money starts pouring in.

Conklin rallies millions of fans who really see him as the one guy who could unseat the champ (and the millions of racists who see him as a white guy and are happy about it). He makes plans for his future and sees a world where he's the real champion. He sees how distracted the current champ appears, he buys into everything that Reverend Sultan feeds him and he steps into the ring with positivity and energy and passion and a strong overhand right and ...

... is knocked out handily in one round. Handily. And that was always the plan. The Reverend (the media) builds up some poor, obscure schmuck who never stood a real chance of winning (Romney), and even though people think the current champ lost his edge (how many people blogged and screamed and scream-blogged about how Romney "devastated" Obama in the first debate, even though that debate was just average?), he easily won. The Reverend got the nation swept up in a story that wasn't real and made a ton of money doing it. The truth didn't change -- the champ still won, it still happened quickly, and the fight itself still wasn't interesting -- but the narrative changed, and that was all Reverend Sultan needed to do.

I'm not reaching to draw parallels just because I love The Great White Hype. It's not like I'm stretching the truth and bending facts to point out similarities between the 2012 election and Space Jam (which I could also do). The similarities are right there for anyone to see, even down to the race angle that dominated both the movie and the political dialogue of the last campaign season. If you want to go even further, you can say that Nate Silver was Marvin Shabazz (the legitimate voice of reason that no one was listening to), and Dick Morris was Jeff Goldblum's Mitchell Kane (the idiot who got so caught up in the hype that he backed the wrong horse and it likely cost him his career), but only say that around a very specific type of person. Which is to say, a person who knows The Great White Hype as intimately as he knows presidential elections. Which is to say, uh ... me.

Whelp, that's the least accessible joke I've ever used to end a column.

Daniel O'Brien is Cracked's senior writer (ladies) and could make a legitimate case for Space Jam as equally representative of the 2012 election (GOP, or should I say, Monstars???).