4 Flawed Life Lessons Movies Accidentally Taught Us
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There are a few universal truths I have learned from watching movies throughout my lifetime: Killing is only OK if the guys are bad, love is more important than stuff and, given the choice, always bet on black. The lessons imparted by films may seem trite or cloying at times, but they are always important because they reflect the principles and priorities of our culture. We use the morals from movies as blueprints for our own lives, so even though infidelity, brutality and deceit can exist in a story, we know that by the end someone is going to be held accountable for it all, preferably while being karate kicked out of an airplane.
But every once in awhile we get confused. A plot device shows up in so many movies and across so many genres that we mistake it for one of those lessons we're supposed to be applying to our lives. The trouble is, when we try to shoehorn fictional tools into reality, we only end up frustrated and angry that we aren't any good at living according to rules that don't actually exist. Let me show you what I mean. If You're Happy With Your Current Life, You Are Living a Lie
The Offenders:Up in the Air/Crazy, Stupid, Love./Failure to Launch/Knocked Up/The Family ManThe moral of a lot of movies, romantic comedies in particular, is that we all need to check in with our priorities now and again to be sure we're still on the right track in life. Workaholics need the realization that love is more important than money, and reluctant adults have to see the value of growing up. So far, it's a fine lesson. The problem is that 100 percent of movie characters who bother to take an honest look inside themselves realize they've been sucking at life the whole time. Of course, they have to have this realization, otherwise movies would be short and boring. But with every protagonist discovering how awful they've been through introspection and then hopping back on the right path to happiness, movies are inadvertently teaching their audience that if you look at your own life and don't see something wrong, then you are blind to your own problems.
Everything Happens for a Reason, Except for the Stuff That Doesn't Pertain to You
The Offenders:The Matrix/Slumdog Millionaire/Forces of Nature/Bruce AlmightyAn easy way for films to ensure that the protagonist ends up with the right love interest or that the right characters survive a disaster is to blame it all on destiny. Even films that don't blatantly mention fate by name still rely on chance encounters and pure luck to keep a story moving forward. The alternative would be a movie in which a bunch of bullshit happens with no relationship to the plot until it finally stops happening and credits roll. That's a little too close to life for anyone to pay money to see. A story literally relies on some kind of providence because that's the only way to get to the right ending. Unfortunately for an audience, that starts to look like a message after a while.
Awful People Will Someday Realize They Are Awful
The Offenders:Return of the Jedi/Serenity/3:10 to Yuma/American History XThe only thing we love more than watching a movie villain die is watching a movie villain repent, and in the case of Darth Vader, both at the same time. Films offer us the gratification of seeing shitty people finally realize how shitty they've been and then start to feel bad about it, or, if they were being shitty on purpose, we at least get to see them fall from high-rises.
If a Relationship Can't Fulfill Every Need in Your Life, It's Doomed
The Offenders:Blue Valentine/The Break-Up/Little Children/The Good Girl/The NotebookWe've discussed before how miserable movies are at doling out advice on finding love, but they're even worse at teaching us how to keep it. For any romantic movie that starts with a happy couple, it's almost guaranteed that they will be dating or married to other people by the credits. Audiences are only interested in the beginnings and endings of relationships, not all the tedious good times in the middle. The consequence, however, is that filmmakers are then stuck in the position of tearing a couple apart in the same movie where they're trying to point out the power of love. The solution: The newly found love in the story has to be superior in every conceivable way so that audiences will say, "Yes, of course, that's what a relationship is really supposed to be."